EUROPEAN CERAMICS CIRCA 1900 : THE EIDELBERG COLLECTION AT THE SAINT LOUIS ART MUSEUM
(english edition)

European art pottery around 1900 was a profoundly experimental and
international movement. This handsome volume, published in conjunction
with a major gift to the Saint Louis Art Museum, traces the movement’s
development through more than 150 works by both celebrated and forgotten
makers, offering a rare and nuanced view of modern ceramics across six
regions – France, Germany, the Netherlands, Scandinavia, Austria and Italy.
This richly illustrated catalogue, edited by David Conradsen, celebrates a
major gift of more than 150 examples of European art pottery donated to the
Saint Louis Art Museum by the scholar and collector Dr. Martin Eidelberg.
Made across continental Europe between about 1880 and 1930, these works
demonstrate the extraordinary variety of form, surface, and ornament realised
over a fifty-year span. Many date from around the turn of the twentieth
century and reveal how artists, designers, and manufacturers responded to
the so-called ‘Cult of Nature’, filtered through personal expression, technical
experimentation, and the emergence of modernist design ideals.
Strongest in works by French makers – reflecting the origins of the
movement in France in the 1870s – the catalogue includes ceramics by wellknown
figures such as Ernest Chaplet, Émile Decoeur, and Pierre-Adrien
Dalpayrat, alongside works by many lesser-known or rarely collected artists.
These include Atelier Glatigny, ‘Robalbhen’, and Nils de Barck, among
numerous others, offering a broader and more nuanced picture of the
movement than is typically available in American museum collections.
The book opens with an introductory essay situating European art pottery
within its historical and artistic context. Short essays, co-authored by Eidelberg
and the scholar Jonathan Clancy, introduce each geographical section by
examining pottery production in specific regions around 1900. Individual
works are catalogued by Conradsen and expanded upon with entries by
Eidelberg. Fully illustrated throughout, the volume also includes a ceramic
marks reference section and a selected bibliography.